_iii-sentimiento-trailer.jpg "III. Sentimiento (Trailer) from galeria de arte biblioteca de desenhos so das antigas Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 67 sec
✓ Published: 15-Apr-2011
✓ Published: 15-Apr-2011
Description:
www.producciones451.netnDepósito legal: V-661-11nnAwards 2011: nCertamen Jove Valencia CreannScreenings 2011:nThe Loop Festival (Barcelona, Spain)nI Festival de Video creaciones (Algemesí, Spain)nThe Scientist Video Arte, (Ferrara, Italy)nÓptica Festival Internacional de Video Arte en Gijón, Asturias (España)nÓptica Festival Internacional Audiovisual en el Archivo y Biblioteca Nacionales de Sucre (Bolivia)nÓptica Festival Internacional en la Galería de Arte Kiosko de Santa Cruz (Bolivia)
www.producciones451.netnDepósito legal: V-661-11nnAwards 2011: nCertamen Jove Valencia CreannScreenings 2011:nThe Loop Festival (Barcelona, Spain)nI Festival de Video creaciones (Algemesí, Spain)nThe Scientist Video Arte, (Ferrara, Italy)nÓptica Festival Internacional de Video Arte en Gijón, Asturias (España)nÓptica Festival Internacional Audiovisual en el Archivo y Biblioteca Nacionales de Sucre (Bolivia)nÓptica Festival Internacional en la Galería de Arte Kiosko de Santa Cruz (Bolivia)
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_las-galeras-de-arte-crtica-y-experiencias-propias.webp "Antonio García Villarán")
_archie-moore-kith-and-kin-92-australian-pavilion-at-venice-art-biennale-2024.webp "Archie Moore: kith and kin / Australian Pavilion at Venice Art Biennale 2024. April 19, 2024.<br/>Official description: First Nations peoples of Australia are some of the oldest continuous living cultures on Earth, and statistically one of the most incarcerated. Archie Moore’s kith and kin is both evidence and reminder of these facts. The sprawling chalk on blackboard mural traces his Kamilaroi and Bigambul relations back 65,000+ years, including the common ancestors of all humans. Handwritten across the walls and ceiling, the family tree engulfs the audience. The education materials refer to the transmission of knowledge and what is left out of history. Kamilaroi and Bigambul words in the drawing assert Indigenous language revival initiatives, while holes signal colonial invasions, massacres, diseases and displacement that sever familial ties. The central reflection pool is also a void; a memorial to First Nations deaths in state custody attended by piles of coroners’ reports. Archie adds archival records referencing kin to demonstrate how colonial laws and government policies have long been imposed upon First Nations peoples. These bureaucratic papers documenting tragedies are cradled by the reflection of the family tree in the surrounding water. The artist uses his family history to make systemic issues uncomfortably tangible to audiences while providing a prescient reminder that we are all kin.")
_galera-nacional-de-arte-y-su-biblioteca-federico-mir-124-city-tour-usa-indito.webp "Canal13C")
⏲ 5 minutes 40 seconds 👁 217
_cmo-exponer-en-una-galeria-de-arte-consejos-para-artistas.webp "Galeria Marino")
_ven-a-pintar-con-conmigo-y-a-conversar-en-el-taller-de-sbado-de-galera.webp "Alicia Maury Fine Art Una pintura al día")
⏲ 1 hour 55 minutes 28 seconds 👁 91
_bibliotecas-de-arte-o-algo-ms.webp "Museo Nacional del Prado")
_kapwani-kiwanga-trinket-92-canadian-pavilion-at-venice-art-biennale-2024.webp "Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April 19, 2024.<br/><br/>Official description: Kapwani Kiwanga is a multi-disciplinary artist concerned with forms of power: their suppressed histories and quotidian effects. The artist transforms the Canada Pavilion by way of a site- specific sculptural installation on the building’s interior and exterior, turning it into a large-scale tableau. Shapes shift, dissolving distinctions between inside and outside. As one moves through the coil-like architecture, it unfolds, multiplying perspectives. The installation principally consists of conterie (seed beads), historically employed as both currency and items of exchange. Conterie were dispersed globally from the Venetian island of Murano and incorporated into various material cultures. Kiwanga uses these tiny glass units to construct the monumental out of the minute, each bead acting as a witness to past transactions that changed the socioeconomic landscape of the sixteenth century and beyond. The work addresses the often-destructive history of commerce and how the trade of these beads shaped the world. Other materials related to the trade of conterie are also included. They rise from the pavilion’s floor onto the walls and spill out into the courtyard. As they meet the beads, they formalise a place of exchange, prompting reflection on issues of value, aesthetics, and global economic relations.")
_tpico-de-ao-nuevo.webp "enchufeplus")
_las-galeras-de-arte-crtica-y-experiencias-propias.jpg)
_archie-moore-kith-and-kin-92-australian-pavilion-at-venice-art-biennale-2024.jpg)
_galera-nacional-de-arte-y-su-biblioteca-federico-mir-124-city-tour-usa-indito.jpg)
_cmo-exponer-en-una-galeria-de-arte-consejos-para-artistas.jpg)
_ven-a-pintar-con-conmigo-y-a-conversar-en-el-taller-de-sbado-de-galera.jpg)
_bibliotecas-de-arte-o-algo-ms.jpg)
_kapwani-kiwanga-trinket-92-canadian-pavilion-at-venice-art-biennale-2024.jpg)
_tpico-de-ao-nuevo.jpg)
![[+]](/images/menu.gif){kind=small}