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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
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Race: Saif Ali Khan, Anil Kapoor, Akshaye Khanna, Katrina Kaif, Bipasha Basu, Sameera Reddy.<br/><br/>Movie Story:<br/>Sophia (Katrina Kaif) is Ranvir's personal secretary. She adores her boss and loves him. Ranvir is totally unaware of her feeling and regards her adoration as her efficiency. Shaina (Bipasha Basu) is an upcoming Indian ramp model in Durban. She and Ranvir share a very beautiful relationship, which is just on the borderline of love.<br/><br/>R.D. (Anil Kapoor) is a flamboyant police detective who lives by his wits. He has a strange addiction to fruits. He provides the film with witty humor and a very intriguing murder investigation. Mini (Sameera Raddy) is R.D's personal assistant. She is as dumb as a blonde can be, in spite of being a brunette. Shaina loves Ranvir but through a twist of fate gets married to his younger brother Rajiv. When she discovers that Rajiv is a chronic alcoholic, her world is shattered.<br/><br/>Ranvir too is disturbed as he has sacrificed his love for his younger brother because Rajiv had promised him that if he gets married to Shaina, he will leave alcohol forever. Rajiv after getting married breaks his promise and the story starts getting complicated. In a weak moment Ranvir and Shaina come very close to each other, and an affair starts between the younger brother's wife and the elder brother.<br/><br/>When the younger brother starts suspecting his wife, all hell breaks loose. A murder is committed, a contract killing is issued, double crossings become the order of the day, betrayals are executed at the blink of an eye, and a point comes where you cannot pick the good from the bad, the evil from the righteous and the tame from the wild.<br/><br/>A sharp tongued detective R.D., getting wise on the proceedings, starts an intriguing investigation with his brainless bimbo assistant Mini, and the story starts to move at a breakneck speed, full of unexpected twists and turns making the climax of the movie impossible to predict. A back drop of horse racing, the beautiful locales of Durban and edge of the seat excitement are the crux of Race.<br/>Ranvir (Saif Ali Khan) is a successful horse breeder with a history of training and showing winning race horses in South Africa. Rajiv (Akshaye Khanna), Ranvir's brother, is also in the racing world, but he is less cutthroat in his job and, as a result, has not produced the same number of winning ponies. However, Rajiv shows his prickly side when he steals Ranvir's girlfriend, Sonia (Bipasha Basu), and hatches a nefarious plot to take over his sibling's thriving business as well.<br/>
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