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The Critical Drinker
The Critical Drinker
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_1917-movie-review.webp "Chris Stuckmann")
_history-buffs-1917.webp "History Buffs")
_love-story-of-the-painter-balla-and-a-chair.webp "(PAINTINGS BY CHRISTINE WANG)nn4. “Love Story of the Painter Balla and a Chair” (aka “Caricature of Hamlet, Symbol of Pessimistic Passéism”nTRISHA BAGAnBalla falls in love with and then marries a chair, the spirit of which is depicted as a double exposure of a young woman in a billowing white dress. Out of this love affair, a footstool is born. Throughout, the images are wildly distorted through the use of concave and convex mirrors. nnBACKGROUND INFORMATION ON VITA FUTURISTA (FUTURIST")
_why-1917-works-let-me-explain.webp "Let Me Explain")
_cyrano-aux-tranches.webp "Verdun, 1917. Dans la nuit qui sépare les bombardements, quatre Poilus entendent surgir un personnage tombé de la Lune ; rencontre de leur réel avec une fiction historique : Cyrano de Bergerac.n nBasé sur la pièce de Jean Suberville, jeune poète mitrailleur, écrite en 1918, et jouée au Théâtre des Armées il y a un siècle.nnCast: Pablo Eugène Chevalier, Alex Dey, Edouard Dossetto, Vincent Marc et Clément PrévauxnnEcrit par Jean SubervillenRéalisé par Edouard Dossettonn-----------")
_the-drinker-recommends-1917.webp "The Critical Drinker")
_1917-124-beginning-amp-ending-analysis.webp "Cineflect")
_cine-pt2-shot-development.webp "Cinematography Study Module: 'Shot Development Part 2'nnAll comment & analysis produced under UK Copyright Law & is fully Copyright CompliantnnThird party materials that appear in this video essay were used under the Fair Dealing exceptions provided by the UK Copyright, Designs and Patents Act 1988 (CDPA), including:nResearch and Private Study (Section 29 CDPA)nCriticism, Review, Quotation and News Reporting (Section 30 CDPA)nCaricature, Parody or Pastiche (Section 30A CDPA)nIllustration")
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