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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 190K
Telugu Cine Cafe
⏲ 4 minutes 20 seconds 👁 5.2M
Blue Sky Music
⏲ 1 hour 45 minutes 56 seconds 👁 1.5M
Mufasa: The Lion King | Teaser Trailer<br/><br/>A lion who would change our lives forever. #Mufasa: The Lion King, in theaters December 20.<br/><br/>“Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.<br/> <br/>New and returning cast members were called on to lend their voices to the film:<br/>- Aaron Pierre as Mufasa<br/>- Kelvin Harrison Jr. as Taka, a lion prince with a bright future who accepts Mufasa into his family as a brother<br/>- Tiffany Boone as Sarabi<br/>- Kagiso Lediga as Young Rafiki<br/>- Preston Nyman as Zazu<br/>- Mads Mikkelsen as Kiros, a formidable lion with big plans for his pride <br/>- Thandiwe Newton as Taka’s mother, Eshe<br/>- Lennie James as Taka’s father, Obasi <br/>- Anika Noni Rose as Mufasa’s mother, Afia<br/>- Keith David as Mufasa’s father, Masego<br/>- John Kani as Rafiki<br/>- Seth Rogen as Pumbaa<br/>- Billy Eichner as Timon<br/>- Donald Glover as Simba<br/>- Introducing Blue Ivy Carter as Kiara, daughter of King Simba and Queen Nala<br/>- And Beyoncé Knowles-Carter as Nala<br/> <br/>Additional casting includes Braelyn Rankins, Theo Somolu, Folake Olowofoyeku, Joanna Jones, Thuso Mbedu, Sheila Atim, Abdul Salis and Dominique Jennings.<br/><br/>“Mufasa: The Lion King,” the new film coming to theaters Dec. 20 explores the unlikely rise of the beloved king of the Pride Lands. The film has an all-star roster of talent bringing new and fan-favorite characters to life—plus, celebrated award-winning songwriter Lin-Manuel Miranda is writing the film’s songs produced by Mark Mancina and Miranda, with additional music and performances by Lebo M. <br/> <br/>Said Miranda, “Elton John. Tim Rice. Hans Zimmer. Lebo M. Mark Mancina. Beyoncé, Labrinth, Ilya Salmanzadeh. Beau Black, Ford Riley, the incredible music team on ‘The Lion Guard,’ and so many musical contributors over the years. ‘The Lion King’ has an incredible musical legacy with music from some of the greatest songwriters around, and I'm humbled and proud to be a part of it. It's been a joy working alongside Barry Jenkins to bring Mufasa's story to life, and we can't wait for audiences to experience this film in theaters.\
⏲ 1:32 👁 1.6M
Aditya Music
⏲ 30 minutes 16 seconds 👁 561K
kleingeerts
⏲ 3 minutes 59 seconds 👁 23M
Yorkshire clergyman Sabine Baring-Gould was a Victorian superstar who wrote Onward Christian Soldiers for a Whitsun Sunday School parade in his parish in 1865.<br/>But his incredible life was filled with other amazing achievements which have been largely forgotten, until now.<br/>A new touring show- about to get its official world premier in his former Wakefield parish of Horbury - will tell how he he was a top five best-selling novelist; the writer of what is still the go-to book on werewolves and inspired Bram Stoker to write Dracula.He was aaa storyteller of the Norse Myths of Iceland and even featured in a Sherlock Holmes novel as the detective’s godfather. <br/>In real life he married Horbury mill worker Grace Taylor, after educating her in society etiquette, inspiring George Bernard Shaw's  bestseller Pygmalion, which later became the Hollywood musical My Fair Lady.<br/>But the curate said the most important thing he ever did was to save a huge collection of folk songs from, Devon and Cornwall, where he was originally from.<br/> Some of those songs, interweaved with anecdotes from his own astonishing life and stories from his books willmark the centenary of his death in a new touring show called Ghosts, Werewolves and Countryfolk.<br/>It stars six-time BBC Folk Awards nominee Jim Causley and Miranda Sykes, of award-winning Show of Hands and Yorkshire-based Daphne’s Flight, and is narrated by John Palmer, director of the critically-acclaimed Vaughan Williams anniversary From Pub to Pulpit Cathedral tour.<br/>The premier will be at Horbury Working Members Club on Friday, May 17, 7pm to 9pm, beforeit goes on a 25-date national tour. For Horbury tickets visit https://www.eventbrite.co.uk/e/ghosts-werewolves-country-folk-songs-stories-of-sabine-baring-gould-tickets-863167335737?aff=ebdssbdestsearch<br/>For more about the 2024 Whit weekend events in Horbury visit https://horburychurch.com/activities/whitwalk/
⏲ 2:20 👁 2.3M
Laura Branigan Forever
⏲ 4 minutes 1 second 👁 87.9M
Music Best Old
⏲ 1 hour 10 minutes 15 seconds 👁 423.7K
I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
⏲ 3:9:3 👁 95K
Shemaroo Telugu
⏲ 4 minutes 25 seconds 👁 1.6M
Hariharan
⏲ 3 minutes 13 seconds 👁 3.2M
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