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Lute Vihuela | E-A-D-F#-B-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Beginner Movable F Chord Shapes - Adult Guitar Lessons
⏲ 11 minutes 14 seconds 👁 448
F major chord - 3 ways! | Beginner Guitar Lesson
⏲ 3 minutes 56 seconds 👁 197.4K
5 Minute Guitar Lesson - From Jazz to Rock Part 2
⏲ 2 min 50 sec ✓ 06-Apr-2020
Lead Guitar Lesson - use chord shapes to find lead lines
⏲ 7 minutes 49 seconds 👁 181.5K
The Secret to Playing Chords Anywhere on the Guitar Neck (Easy)
⏲ 17 minutes 24 seconds 👁 183.8K
Open D (‘Vestapol’) | D-A-D-F#-A-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
20 Ways To Play The Same Guitar Chord
⏲ 9 minutes 53 seconds 👁 73.5K
The Chord Trick Every Pro Uses
⏲ 9 minutes 13 seconds 👁 125.4K
Ead-Gad | E-A-D-G-A-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
16 chord shapes every REAL guitar player MUST KNOW
⏲ 13 minutes 56 seconds 👁 150.2K
5 Movable Chord Shapes to Play EVERYTHING on Fretboard!
⏲ 8 minutes 14 seconds 👁 7K
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_the-chord-trick-every-pro-uses.jpg "Rhett Shull")
_lute-vihuela-124-e-a-d-f-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/lute/ | “The main layout of the Renaissance lute moves Standard tuning’s ‘irregular’ 4-semitone jump back a string, instead placing it right in the middle between 4-3str (i.e. 5/5/4/5/5 vs. 5/5/5/4/5). Reshuffling the same set of intervals (four 4ths and a major 3rd), preserves the same 2-octave open range, and also most of EADGBE’s familiar chord shapes (…just jump them up a string). Great for jazz rhythm parts: particularly for addin")
_beginner-movable-f-chord-shapes-adult-guitar-lessons.webp "Best Beginner Guitar Lessons")
_f-major-chord-3-ways-124-beginner-guitar-lesson.webp "Guitar Goddess")
_5-minute-guitar-lesson-from-jazz-to-rock-part-2.webp "Part one of this short series looked at how it is common for Jazz musicians to play various arpeggios over any given chord. Arpeggio substitution makes your lines sound interesting because the notes add extensions with the underlying harmony.nnImagine we play for instance a Fmaj7 arpeggio over our Dm7 chordnnDm7 DFA Cn1 b35 b7nnFmaj7 FA C En1 3 57nnWhen you play Fmaj7 over Dm7 you imply the sound ofnnDmin9nnThis is because between the notes you a")
_lead-guitar-lesson-use-chord-shapes-to-find-lead-lines.webp "Worship Tutorials")
_the-secret-to-playing-chords-anywhere-on-the-guitar-neck-easy.webp "MusicMatchr")
_open-d-vestapol-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-d/ | “Resembles EADGBE’s famous ‘0-2-2-1-0-0’ Emaj shape in terms of intervals – a general pattern sometimes known as ‘Vestapol’ (after The Siege of Sevastopol, an earnest 1854 American folk song about the Crimean War, popular in parlor guitar instructional manuals of the 19th century: more below). Thus, the tuning represents a logical ‘first step away from Standard’: as this Emaj shape tends to be the first major chord we l")
_20-ways-to-play-the-same-guitar-chord.webp "Musora")
_the-chord-trick-every-pro-uses.webp "Rhett Shull")
_ead-gad-124-e-a-d-g-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/ead-gad/ | “A high-slackened tuning that essentially forms a ‘half-DADGAD’ layout (6-5-4str=Standard, 3-2-1str=DADGAD). This gives an ambiguous ‘open harmony’ – it can be seen as either a seventhless D9sus4, fifthless Emin11, thirdless G6/9, secondless Am11, or rootless C6/9 – or an A7sus4 from the parallel octaves on 5+2str. Great for creating complex chord inversions with the 2nd in the bass. Also also feel how the slackened 1+2str")
_16-chord-shapes-every-real-guitar-player-must-know.webp "Brandon D'Eon Music")
_5-movable-chord-shapes-to-play-everything-on-fretboard.webp "Neil Chan Music")
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