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From 2.1.0, it’s possible to let Octory know when an app/package is installed rather than relying on the MDM logs monitoring. With octo-notifier, it’s possible to update the installation state of a monitor from the command-line or from a script.nnThis is useful if a MDM does not log anything or if Octory is not yet compliant with this MDM: it’s now possible to monitor installations with a public interface.nnocto-notifier can be downloaded from the materials: https://gitlab.com/amarisgroup/
⏲ 72 sec ✓ 07-May-2021
Farhad
⏲ 22 minutes 56 seconds 👁 2.4K
LinuxHelp
⏲ 5 minutes 3 seconds 👁 1.4K
John Akomfrah: Listening all Night to the Rain / British Pavilion at the 60th International Art Exhibition – La Biennale di Venezia.<br/><br/>Official description: <br/>John Akomfrah is an artist and filmmaker whose work is an investigation into memory, racial injustice, the experiences of migrant diasporas and climate change.<br/>Listening All Night To The Rain continues the artist’s preoccupation with themes of post-colonialism, ecology and the politics of aesthetics with a renewed focus on the act of listening and the sonic. The exhibition is seen as a manifesto that encourages the idea of listening as activism and is conceived as a single installation with eight interlocking and overlapping multi-screen sound and time-based works. Bodies of water are a central motif in Akomfrah’s exhibition and form a connective tissue that holds the many layered visual and sonic narratives together. Together with the sonic, Akomfrah explores the role of water in understanding our world and holding memory.<br/>Open-ended in structure, the exhibition is reflective of the artist’s abiding interest in non-linear forms of storytelling and collage. The exhibition probes into the ways in which addressing and connecting vast historical narratives across five continents can then be reflected in the experiences of diasporic people in Britain.<br/><br/>John Akomfrah: Listening all Night to the Rain / British Pavilion, Venice Art Biennale 2024. April 19, 2024.
⏲ 8:28 👁 50K
LambdaTest
⏲ 3 hours 26 minutes 43 seconds 👁 195.6K
Iran is targeting the Dimona nuclear reactor in Israel as a target for missile attacks if war actually breaks out. Tehran's military simulated an attack during the Great Prophet 17 war games last week.<br/><br/>The Fars news agency, which is affiliated with the Islamic Revolutionary Guard Corps (IRGC), published a video showing a mock-up of the Dimona nuclear site as the target of a simulated operation.<br/><br/>The Dimona reactor, officially known as the Shimon Peres Negev Nuclear Research Center, is characterized as a production center for weapons of mass destruction in the high-resolution video. A total of 16 ballistic missiles and five suicide drones were launched against mock targets in a simulated operation by the Iranian military.<br/><br/>Tensions have continued to escalate between Iran and Israel in recent weeks as nuclear negotiations between Tehran and world powers stalled in Vienna. Israel has vowed that if Iran's nuclear program reaches a stage approaching the production of atomic weapons, it will act regardless of the deal the United States and other world powers reached with Tehran.<br/><br/>An article published by the Jerusalem Post on Sunday said such Iranian threats were more important than ever. \
⏲ 5:13 👁 30K
Geert MulnPermanent Interactive installation nfeaturing 500 Shan-Shui (Mountain - Water) style Chinese paintings.nnComissioned / acquired by Edwin Jacobs / Dortmunder-U 2019.nCourtesy: Gallery Ron Mandos AmsterdamnSoftware programming: Carlo PrelznProduction assistant: Shihui WangnnPermanent Installation research: Claudia RoecknPermanent Installation programming: TG x Thothnn地平线nPerspective is a cultural property. The history of paintings of landscapes shows us a history of perception. T
⏲ 2 min 21 sec ✓ 01-Nov-2021
Jeffrey Gibson: the space in which to place me / USA at the Venice Art Biennale 2024. April 19, 2024.<br/><br/>Official description: Jeffrey Gibson has forged an interdisciplinary practice and hybrid visual language that draws from American, Indigenous, and queer histories, with references to popular subcultures, literature, and global artistic traditions. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Gibson grew up in major urban centers in the United States, Germany, and Korea— experiences that inform his practice. In his work, intertribal aesthetics, beadwork, textiles, and found objects from the past two centuries commingle with the visual languages of global modernism. His use of pattern and abstract geometries confronts the chromophobia of contemporary art. His practice reflects the vibrant realities of Indigenous communities in the United States, a form of cultural critique that engages with complex histories rather than erasing them. With newly produced multimedia sculptures, mixed-media paintings, site-specific murals, a multichannel video installation, and an extensive exterior installation, the space in which to place me transforms the U.S. Pavilion into an embodiment of Gibson’s radically inclusive vision for the future: a space in which Indigenous art and a broad spectrum of cultural expressions and identities are central to the American experience.
⏲ 11:13 👁 70K
Prepare to be swept off your feet as we delve into a romantic gesture orchestrated by NFL star Travis Kelce for his partner, pop sensation Taylor Swift! On April 17th, 2024, Swift was caught arriving at a special library installation in Los Angeles, curated specifically for her highly anticipated 11th studio album.<br/><br/>In this video, we explore the enchanting moments as Swift steps into the beautifully curated library event, created in collaboration with Spotify. Kelce's thoughtful gesture demonstrates his unwavering support for Swift's music career and his commitment to making her album release an unforgettable experience.<br/><br/>As fans eagerly anticipate Swift's new album, we delve into the significance of this special event and its impact on her relationship with Kelce. From the intricately designed installation to the personal touches tailored to Swift's style and preferences, the library event serves as a testament to Kelce's love and admiration for his partner.<br/><br/>Join us as we celebrate this romantic gesture and dive into the enchanting world of Taylor Swift's music. Don't forget to subscribe to our channel for all the latest updates and exclusive content related to Taylor Swift and Travis Kelce. Stay tuned for more captivating videos showcasing the magic of their relationship and Swift's musical journey! Subscribe now for more Taylor Swift-related videos!
⏲ 0:36 👁 20K
output of scripts/featurefilm.py on materials used in the SICV vitrine installation at Constant.nnhttps://gitlab.com/sicv/vitrine/blob/master/scripts/featurefilm.py
⏲ 2 min 96 sec ✓ 27-Feb-2016
Bandar Perda Office Carpet CALL Mr.Heng 012-791 2465 Penang Karpet<br/>Price is only As Low As RM 4.00 Per Square Feet ( With installation )<br/>Min. Order 800 Square Feet!! <br/>RM 4.00 x 800 Square Feet = Ringgit Malaysia 3,200.00<br/>Supplied and Free Installation<br/><br/>Please call us now for Free indoor quotation and sample viewing.<br/><br/>We can Handle Major Project as Below :<br/># Commercial Office<br/># Apartment & House<br/># Factory Outlet / Warehouse<br/># Boutique Shop Lot<br/># Restaurant / Cafe<br/># Hotel / Shopping Mall<br/><br/>Call or WhatsApp Mr. Heng 012-791 2465<br/>Call or WhatsApp Mr. Heng 012-791 2465<br/><br/>We are Specialized in:<br/>WINDOW BLINDS | MURAL WALLPAPER | CARPET | VINYL FLOORING<br/>SPC FLOORING | KOREA WALLPAPER <br/>​<br/>Penang Office Carpet<br/>Kedah Office Carpet<br/>Perak Office Carpet
⏲ 1:9 👁 5K
Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April 19, 2024.<br/><br/>Official description: Kapwani Kiwanga is a multi-disciplinary artist concerned with forms of power: their suppressed histories and quotidian effects. The artist transforms the Canada Pavilion by way of a site- specific sculptural installation on the building’s interior and exterior, turning it into a large-scale tableau. Shapes shift, dissolving distinctions between inside and outside. As one moves through the coil-like architecture, it unfolds, multiplying perspectives. The installation principally consists of conterie (seed beads), historically employed as both currency and items of exchange. Conterie were dispersed globally from the Venetian island of Murano and incorporated into various material cultures. Kiwanga uses these tiny glass units to construct the monumental out of the minute, each bead acting as a witness to past transactions that changed the socioeconomic landscape of the sixteenth century and beyond. The work addresses the often-destructive history of commerce and how the trade of these beads shaped the world. Other materials related to the trade of conterie are also included. They rise from the pavilion’s floor onto the walls and spill out into the courtyard. As they meet the beads, they formalise a place of exchange, prompting reflection on issues of value, aesthetics, and global economic relations.
⏲ 8:8 👁 5K
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