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Big Enough, Small Enough - South Bend in Transition
⏲ 48 min 18 sec ✓ 23-Feb-2020
Karlos Cárcamo
⏲ 8 min 84 sec ✓ 07-Feb-2023
VI Xornada de danza na Miteu 2016, e I Certame de danza de Ourense (D-OU-TRAS)
⏲ 51 min 4 sec ✓ 04-Nov-2016
Just Dance: Inter-Liminal - NOWNESS
⏲ 2 min 90 sec ✓ 25-Jul-2018
Solstice 58.58°
⏲ 5 min 92 sec ✓ 19-Jun-2019
Liminal Space
⏲ 64 sec ✓ 29-Jul-2013
Figment (1 channel version)
⏲ 1 min 93 sec ✓ 19-Jul-2016
The Impossible Train Story
⏲ 2 min 80 sec ✓ 07-Jun-2020
The Macabre Mestiza of Tennessee Williams
⏲ 5 min 28 sec ✓ 19-Apr-2012
The Class of 9 11
⏲ 12 min 15 sec ✓ 15-Aug-2011
El Espejo del Espíritu | The Mirror of the Spirit (2014)
⏲ 52 min 20 sec ✓ 31-May-2014
Closer
⏲ 4 min 12 sec ✓ 05-Feb-2016
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_big-enough-small-enough-south-bend-in-transition.webp "South Bend is haunted by deep wounds in the city’s past while grappling with its fragile future. For more than 50 years after Studebaker closed it has struggled to determine its identity, but it is beginning to change rapidly. What type of place is South Bend to South Benders in 2020? Rustbelt city? Miniature Detroit? Or has it shaken off the cloak of failure and begun to reinvent itself? Is it a beta-city? College town? A big little town? A small big city? And what happens in the middle of th")
_karlos-crcamo.webp "La práctica artística de Karlos Cárcamo (San Salvador, El Salvador, 1967) se articula como una exploración formal sobre los lenguajes y las historias de la abstracción. En las revisiones de esos imaginarios, el artista combina referencias visuales provenientes de una variedad de fuentes diversas de la historia del arte occidental, la cultura urbana y el street art. Los ensamblajes escultóricos de Cárcamo, su pintura expandida y las intervenciones artísticas en espacios públicos operan e")
_vi-xornada-de-danza-na-miteu-2016-e-i-certame-de-danza-de-ourense-d-ou-tras.webp "Seleccionadxs ao Certame de danza, e gañadorx do público n6º Encontro de danza interuniversitarianLUGAR: TEATRO PRINCIPAL nHORA: 20’30nDURACIÓN: 75 MINUTOSnCoreografías creadas por grupos de danza galegos, universitarios ou con vocación docente. A nova danza galega.nAULA DE DANZA DA UDC - DANZA NORMAL. A CORUÑA con RescatenELENCO: Zeltia, Lorena Carballido, Fernando, Barbora, Zaira, Nuria, Verónica Moar, TomnDIRECCIÓN / COREOGRAFÍA: Rut Balbísn--nSELECCIONADA CERTAME DANZA EMERXENTE")
_just-dance-inter-liminal-nowness.webp "A sparse tarmac yard sets the stage for this magnetizing collaboration between filmmaker Daveion Thompson and choreographer Juri Onuki, in an evocative exploration of the relationships between objects, movement and aesthetics. It is a film in which the body’s shifting shapes, performed by American dancer Lloyd Boyd, open up bigger questions that reach beyond the purely physical. In the collaborator's elastic project, things—removed from their everyday context (in this case, a silver chair)")
_solstice-58-58.webp "Solstice 58.58° is a short film project documenting alternative ways to make an old journey…the trip to northernmost Scotland in search of pristine Atlantic waves and the liminal Solstice light.nnThe film explores possibilities in travel and surfing sustainability, making hay of the wild Caithness coast while the midsummer sun shines.nnShot over the Summer Solstice, Easkey Britton, Sandy Kerr and Chris Noble tread lightly, riding revolutionary and sustainable surfboard designs, throughout the")
_liminal-space.webp "Stop motion documentationnLiminal Spacendiptych (100x200cm, 100x300cm)nOil on Raw canvasnnhttp://www.Daniel-Mullen.com")
_figment-1-channel-version.webp "In Figment, rendered clouds and mountains, with their mediated counterparts, contemplate contemporary technological society’s relationship with the natural world. Layers of a metaphoric relationship with the moving images emerge – clouds are synonymous with digital culture, landscapes are realistically depicted stationary but are constructed. Lush CG mountainsides, with visual ties to my China hometown play on perception and desire for a relationship with nature; yet it is synthetic, a limin")
_the-impossible-train-story.webp "This is a video of Moral Imaginations © 2022. nnTo find out more about Moral Imaginations, please visit: https://moralimaginations.substack.com/nnIf you'd like to post about this video, please include the hashtag #MoralImaginations and on Twitter tag us @moral_imaginingnnVideo narrated and produced by Phoebe Tickell, illustrated by Reilly Dow (www.pinkfish.ca), and sound engineering by Pietro Marchesi. nnFollow us on Facebook https://facebook.com/moralimaginationsnnRead The Impossible Train Sto")
_the-macabre-mestiza-of-tennessee-williams.webp "This didactic multimodal presentationlinks the unique cultural of New Orleans with the works of Tennessee Williams. Combining elements of visual art and music with spoken word, the intent was to convey the effect of sitting in the French Quarter where multiple sources of music come and go while some of the weirdest, most delightful, and sometimes unsettling things are seen passing by. All of this happens with a cadence and chaos beyond the control of who experiences it; the form of the piece r")
_the-class-of-9-11.webp "The Society is proud to announce the launch of its online human-rights magazine showcasing the work of journalist Jacques Menasche, who produced a documentary and text on the effects of 9/11 on his son’s first-grade class at a school near ground zero in New York City.nnChildren, Menasche writes, have largely been excluded from the event’s history: “They present a problem for a journalist, a messy gray area of memory and trauma. Today, when it remains difficult to fully understand the extra")
_el-espejo-del-espritu-124-the-mirror-of-the-spirit-2014.webp "The first half an hour of this documentary is")
_closer.webp "CLOSER by Scott Barley / 2016 / 7 minnnUpon liminal spheres where dreams are woven, nAdrift between stars and the trees, nI pass closer to the golden dawn. nnThere’s a warmth beyond the shadow. nI feel the aurum under my eyelids, nAnd I hope the birds will sing.nnOh, I hope I will hear the birds sing...nnPerhaps a knowledge that never comes.nnfor David Robert Jones (8th January 1947 - January 10th 2016)nn1:1 aspect ratio, with the final shot in 0.71:1 aspect ratio. nnAs always, please watch in")
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